Historical Figures in Ragtime

 One of the biggest discussion points we've had in class so far (which isn't a surprise, because the name of the class is History as Fiction) has been the role that historical figures play in the novel. Authors have been fictionalizing (if that's even a word) actual historical people since the beginning of time, but there is a key difference in the way that E. L. Doctorow does it. Not only does he incorporate actual people, but he often completely changes their personalities. He makes up events. He even sometimes completely disregards logic in order to bring two characters together who would not have been in the same social circles whatsoever. For example, as we discussed in class, the whole scene with Harry Houdini and Harry K. Thaw in the prison made absolutely no sense because Houdini wasn't even doing his escape in that prison in the first place, but Doctorow decided to ignore historical facts and change the course of the lives of two people who really did exist. 

In other cases, he attributes characteristics of historical figures to people that he has made up, such as with Coalhouse Walker. Many of the aspects of his life line up with those of Scott Joplin, and while reading comparisons are automatically drawn between the two.

I found this to give a really weird effect (kind of like we were peering into an alternate universe with the same people but different stories. Doctorow definitely took a lot of creative and historical liberty when writing his book, and it is very refreshing to me. I think too many authors these days are focused on doing everything perfectly, following details as carefully as possible, and reading Ragtime has a completely different vibe.

Comments

  1. Great job! I really like how you describe the way Doctorow mixes real history with fiction by taking historical figures and basically just using his creative license as an author to have fun with their personalities, and sometimes even completely ignore logical sense. I agree, this really makes a weird but unique and enjoyable effect, as contrast to how many other historical authors write their characters.

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  2. This is definitely true. I feel like Doctorow is almost aiming for that shock factor and tries to be very sarcastic and ironic so that readers are always kept on their toes. It forces you to think deeper about what he is saying, but also stay entertained at the same time.

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  3. I agree, it's a very unique and interesting way of telling the story and bringing characters together. Do you think being able to see into this "alternate universe," as you called it, helps us gain a new perspective of or sends a particular message about actual historical or modern-day figures/events?

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  4. I do like Doctorow's style of writing in regards to him using historical figures and events, and then using fiction to fill in the gaps. I like how you referred to this as an 'alternate universe' implying that Doctorow is creating his own world. I think that the intersection of historical events in fiction novels is an effective and nice way of creating your own story.

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  5. I agree it is refreshing but I would say that Doctorow's style is not random, it is still very well researched and calculated. he very clearly knows a lot about every historical figure he has chosen to namedrop. I do think it is pretty funny to make Morgan believe in reincarnation and Evelyn Nesbitt to be an anarchist but he did a lot to set these ideas up as somewhat believable given the information that he has on these people.

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  6. Definitely. I found his writing style to be refreshing as well, although I will say that I think he took too many historical liberties in some sections of the book. At some points, such as the meeting in the prison between Houdini and Thaw, it just felt like Doctorow wasn't even using his brain to come up with meaningful events.

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  7. Hello Lorenzo. I agree that Doctorow took quite a few creative liberties when writing this. I LOL'd (Laughed Out Loud) when you said "the whole scene with Harry Houdini and Harry K. Thaw in the prison made absolutely no sense" just because that was my exact reaction throughout reading the book. I think the many liberties that Doctorow took made the book more enjoyable and more unique, though. Specifically, I'm thinking of when Mother found a crying baby buried in her garden. This is so far fetched and would obviously never happen in real life, but Doctorow knows that. By forcing this to happen in the book, he is challenging the conventions and poking fun at the idea of historical fiction.

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  8. Yeah, I definitely agree that the tone of Ragtime is very unique and refreshing to read. Its an interesting dynamic, because yes, Doctorow fabricates events and characters that get in unlikely situations, however, it's not a revisionist history. He keeps the general consensus of history mostly the same, and just messes with how his characters interact with these big ideas and movements. It was a tone I hadn't really seen before, and it was lot of fun to dissect. Great post!

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